![]() The couple were close friends of Hepburn and Tracy, and incorporated elements of their real personalities in the films. Both films were directed by George Cukor. Gordon and Kanin collaborated on the screenplays for the Katharine Hepburn – Spencer Tracy films Adam's Rib (1949) and Pat and Mike (1952). Gordon married her second husband, writer Garson Kanin, who was 16 years her junior, in 1942. ![]() Gordon's Broadway acting appearances in the 1940s included Iris in Paul Vincent Carroll's The Strings, My Lord, Are False and Natasha in Katharine Cornell and Guthrie McClintic's revival of Anton Chekhov's Three Sisters, as well as leading roles in her own plays, Over Twenty-One and The Leading Lady. Ehrlich) and Action in the North Atlantic, in the early 1940s. Gordon had better luck at other studios in Hollywood, appearing in supporting roles in a string of films, including Abe Lincoln in Illinois (as Mary Todd Lincoln), Dr. Gordon was signed to a Metro-Goldwyn-Mayer film contract for a brief period in the early 1930s but did not make a movie for the company until she acted in the Greta Garbo vehicle, Two-Faced Woman (1941). Gordon continued to act on the stage throughout the 1930s, including notable runs as Mattie in Ethan Frome, Margery Pinchwife in William Wycherley's Restoration comedy The Country Wife at London's Old Vic and on Broadway, and Nora Helmer in Henrik Ibsen's A Doll's House at Central City, Colorado, and on Broadway. In 1932 the family was living discreetly in a small, elegant New York City brownstone. Although they never married, Gordon and Harris provided their son with a normal upbringing and his parentage became public knowledge as social conventions changed. Their son, Jones Harris, was born in Paris that year and Gordon brought him back to New York. In 1929, Gordon was starring in the hit play, Serena Blandish, when she became pregnant by the show's producer, Jed Harris. Gordon at the time had been enjoying a comeback, appearing on Broadway as Bobby in Maxwell Anderson's Saturday's Children, performing in a serious role after being typecast for years as a "beautiful, but dumb" character. Kelly died of heart disease in 1927, at the age of 36. After a three-month recovery, she and Kelly relocated to Indianapolis where they started a repertory company. In December 1920, Gordon checked into a Chicago hospital to have her legs broken and straightened to treat her lifelong bow-leggedness. The pair continued to perform together in North American tours of Frank Craven's The First Year and Tarkington's Clarence and Tweedles. In 1918, Gordon played opposite actor Gregory Kelly in the Broadway adaptation of Booth Tarkington's Seventeen. Woollcott, who described her favorably as "ever so gay", would become her friend and mentor. That same year, she made her Broadway debut in a revival of Peter Pan, or The Boy Who Wouldn't Grow Up, in the role of Nibs (one of the Lost Boys), appearing onstage with Maude Adams and earning a favorable mention from the powerful critic Alexander Woollcott. In 1915, Gordon appeared as an extra in silent films that were shot in Fort Lee, New Jersey, including as a dancer in The Whirl of Life, a film based on the lives of Vernon and Irene Castle.
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